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The external decoration - interplay of marks glazes and the clay body all create rhythms on the surface of the piece
the slowness and movement of walking are echoed in the repetition and rhythms of the making process making each a mindful and meditative practice
with a light vegetable resin coating
Hand carved in his studio in South Korea this tray is raised on four sculpted feet in Cherry wood and the surface is textured with the marks of the making process
The surface has layers of glazed and unglazed areas
Kairagi Cup Grey III jochen-holz The external decoration - interplayA flared mug thrown by hand in Akiko's London studio, with layers of pale crackle and smooth glaze. An expert in glazing, each piece has a unique surface that illustrates the element of chance that is central to her processes. Made to be used. "Today, much of industrial production values consistency, precision and control. My work moves in the opposite direction, embracing variation as an essential part of making. I am currently researching why
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