Bush Tommaso Fattovich The photographic print was made

The photographic print was made by laying this sculptural object onto light sensitive paper in a black and white darkroom to make a  camera-less print -  photogram

creating pieces ranging in size from one to eight square meters

his works on paper are rapidly produced and large in quantity

The bright colors Auville sometimes incorporates into his works are generally achieved with water-based spray paint applied during the drying process or eroded spray painting

Acrylic and pumice on sacking

Bush Tommaso Fattovich The photographic print was madeSpielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the