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Lee is responding to her emotional experiences within her physical surroundings
layered paintings that speak in brutal harmony with the chaotic beauty of the out time
she wants the painting to look as if it “just happened” and paints in such a way that the brushstrokes disappear and the layers become imperceptible
placed onto wooden stretcher bars) and/or framed by a local framer upon arrival
idiosyncratic painting method that involves methodical accumulations of abrupt
Shadow Boxer (B.2) Susan Cantrick Lee is responding to herThe Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between
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